A Publication of the Roman Catholic Diocese of Oakland
Catholic Voice Online Edition
Front Page In this Issue Around the Diocese Forum News in Brief Calendar Commentary
Mission Statement
Contact Us
Publication Dates
Back Issues

Roman Catholic Diocese of Oakland

Movie Reviews

Mass Times

Catholic Voice
articles list
placeholder Support for families who suffered

Dominican friars
to leave St. Mary Magdalen Parish

'Fences' actor got
his career started
at Berkeley
Catholic school

40 groups receive
Rice Bowl grants
to feed to the hungry

Bowerman focuses
on ministry when honored for achievement

2016 Rice Bowl

Third-graders use
Rice Bowl grant
to feed the hungry

World Day
of the Sick Mass
set Feb. 11


Sister Ruth Raftery, SNJM

Senior Living
& Resources

These authors got
their start in their 80s

Activist's real-life experience provides grist for novel

New transport option begins for seniors

Prepare for Medicare Part A and B price changes in 2017

3 things women
should know

Leader seeks
salvation by connecting with
poor people

Senior Profile
'Ed' Bautista

Just for Seniors

placeholder January 9, 2017   •   VOL. 55, NO. 1   •   Oakland, CA

Russell Hornsby and Viola Davis star in a scene from the movie "Fences."

'Fences' actor got his career started
at Berkeley Catholic school

In a real-life situation akin to the "High School Musical" movie franchise, Russell Hornsby was a jock who got the acting bug via the high school musical.

Hornsby, a native of Oakland, was a sophomore at then all-boys Saint Mary's College High School in Berkeley, where he played football. But teammates dared him to try out for the school musical, "The Wiz."

"And when it's a dare, you've got to do it," said Hornsby, who portrays Lyons in the new movie "Fences," which hit theaters nationwide on Christmas Day.

So, for his audition, Hornsby prepared Bert Lahr's soliloquy on courage as the Cowardly Lion from "The Wizard of Oz," the 1939 movie musical upon which "The Wiz" was based.

And, to the delight of, and an ovation from, his fellow actors from "Fences," Hornsby — who might have refined his approach in the ensuring years — took it from the top, playing the part not only of the Cowardly Lion but all his companions on the Yellow Brick Road, getting not only the cadence and inflections of Lahr's voice perfectly, but also the character's sputtering false bravado.

Hornsby snared not the Cowardly Lion in tryouts, but the Scarecrow, and he was hooked. "Plus, there were girls there, so that helped," he laughed during a Dec. 6 interview with Catholic News Service as Hornsby and other cast members from "Fences" visited Washington for a preview screening.

On a serious note, Hornsby said, "Athletes can get discarded quickly. I could see it even then." That, for him, made the switch to performing easier.

He headed east to Boston University and got a bachelor's degree in performance, then snagged a coveted spot in Oxford, England, at the British Academy of Dramatic Art.

On television, Hornsby plays Detective Hank Griffin on the NBC series "Grimm." But in "Fences," he plays Lyons, the son of Troy (Denzel Washington) from an earlier marriage. As passionate as Troy was about playing baseball — he was a Negro Leaguer but too old to benefit from the erasure of the color line — Lyons' passion is music and he seeks a small loan from his dad to give his career a boost.

Hornsby and Washington are just two of the actors reprising their roles in the film version after having acted in a 2010 Broadway revival of the August Wilson play. Wilson wrote the movie screenplay for the film, but died in 2005. According to Mykelti Williamson, who plays Troy's brother on stage and on film, Washington won the rights to the movie, but insisted on mounting a stage production first "to be true to the material."

The reason for the six-year gap between the revival and the movie? "Denzel's got a busy dance card," replied Stephen McKinley Henderson, another featured performer in both the play and the film. Henderson has acted in nine of the 10 August Wilson plays that constitute the "Pittsburgh Cycle" — all of the shows are set in Pittsburgh — but called in some circles the "American Century Cycle," partly given Wilson's standing in American theater and partly because the plays look at the evolution of black life and race relations in the United States through the generations.

"Suffering is a leitmotif" in "Fences," but "also brutal honesty and joy in unexpected moments, which is what enlivens the movie, said Kurt Jensen, a guest reviewer for Catholic News Service, in his review of the film. "Moral decisions, and the consequences of immoral ones, lurk at every turn in the plot as well."

"Fences" received a classification of A-III — adults — for references to adultery, frequent use of the n-word and a single instance each of profanity and rough language. Even so, Jensen advises, "the movie's focus on ideas and their consequences makes it acceptable for mature adolescents."

back to topup arrow


Copyright © 2017 The Catholic Voice, All Rights Reserved. Site design by Sarah Kalmon-Bauer.