A Publication of the Roman Catholic Diocese of Oakland
Catholic Voice Online Edition
Front Page In this Issue Around the Diocese Forum News in Brief Calendar Commentary
Mission Statement
Contact Us
Publication Dates
Back Issues

Roman Catholic Diocese of Oakland

El Heraldo

Movie Reviews

Mass Times

Catholic Voice
CURRENT ISSUE:  February 21, 2011
VOL. 49, NO. 4   •   Oakland, CA
Other front page stories
Serra sainthood cause just one miracle away
Schools’ survival depends on Latino participation
Magdalene relic draws interest across generations
Museum exhibit explores
Catholic mission heritage

Oakland Museum staff member Susana Macarron and Trinidad Rico of the Instituto Nacional de Antropología e Historia uncrate a carved sculpture of Christ Entombed in preparation for the Feb. 26 opening of “Splendors of Faith/Scars of Conquest.”
Terry Carroll photo

Artwork from missions in California, the southwestern United States and Mexico move from their intended settings in places of worship to the Oakland Museum of California this week as the exhibition “Splendors of Faith/Scars of Conquest: Art of the Missions of Northern New Spain, 1600-1821” opens.

The Missions

What: Splendors of Faith/Scars of Conquest: Art of the Missions of Northern New Spain, 1600-1821

When: Feb. 26 - May 29; 11 a.m. to 5 p.m. Wednesday- Sunday, until 9 p.m. Fridays.

Where: Oakland Museum of California, 1000 Oak St., Oakland, (510) 238-2200

Admission: $12 general; $9 seniors and students with ID; $6 ages 9-17; free for ages 8 and under, OMCA members and city of Oakland employees with ID.

This exhibit, which runs Feb. 26 through May 29, originated at the Antiguo Colegio de San Ildefonso in Mexico City. It features about 110 objects, including paintings, sculpture, furniture and liturgical objects and vestments, from collections in Mexico, the United States and Europe — shown together for the first time. The Oakland museum is the only California venue for this traveling exhibition.

Louise Pubols, chief curator of history for the Oakland museum, said she feels “very fortunate to bring this exhibition here.”

The exhibition, she said, “works very well on both sides of the border. The region often falls through the cracks.”

For Mexico, it offers the opportunity to “recover the region as part of the Mexican story,” she said. Also critical is the understanding that “California is connected to the larger story of Mexico.”

The artwork itself is stunning, Pubols said, and “not many people have looked at the artwork of the missions, what it was intended to convey.”

The images themselves are “very powerful and very important,” she said.

And left to the imagination is what these images conveyed to the native peoples.

And that’s a critical missing link said historian Jeffrey Burns. There is no recorded history, in their own words, of how the native peoples responded to the images.

The Academy of American Franciscan History is one of the sponsors of a discussion on Feb. 27 with curators Clara Bargellini and Michael Komanecky on a panel discussing contemporary reflections on the Spanish conquest.

Aside from the historical perspective, there is the stunning collection of art. Pubols points to the tabernacle from Mission Santa Barbara, which includes abalone inlay, and processional objects used during Holy Week, including a figure of Christ.

“These were not images designed for a museum, but for living, breathing culture,” Pubols said.

Other pieces that might be familiar to mission-goers are a sacristy cabinet from Mission San Juan Bautista and silver pieces from Mission San Francisco Solano.

There are also pieces of work by native people, including a Chumash basket, which might have been destined as a gift to be sent to Europe.

For Californians accustomed to visiting the state’s 21 missions, “This is something that is dear to our hearts.” Pubols said, “connecting us to our history, heritage and faith.”

Contemporary Coda, a companion show accompanying the traveling exhibition in Oakland, features 17 works by contemporary artists that address issues of immigration and regional connections across the current border; religion and Latino identity; and the cultural survival of the native peoples of California.

The show, which contains images aimed at an adult audience, will be separate from the main exhibition and clearly labeled, museum officials say.

As will some of the more challenging subjects — such as depictions of martyrdom — from the traveling show, which is also aimed at an adult audience, Pubols said. “We knew in California we’d get a lot of interest from schools,” she said.

Viewers will be able to make their own decisions whether to view those parts of the exhibition after being informed of the nature of the images, she said.

Next Front Page Article

back to topup arrow


Copyright © 2008 The Catholic Voice, All Rights Reserved. Site design by Sarah Kalmon-Bauer.