Classical language of
religion — more iconic than literal
By Father Ron Rolheiser, OMI
Before Henri Nouwen wrote the book that became his signature
work, “Return of the Prodigal Son,” he went to The Hermitage
museum in Russia and sat for whole days contemplating Rembrandt’s
famous painting on the return of the prodigal son.
He was given permission to bring a chair into the museum and he would
sit for hours, studying the painting from various angles and letting it
speak to him in his varying moods. The result was one of the finest commentaries
ever written on both Rembrandt’s painting and on the meaning of
that famous parable in the Gospels.
What Henri Nouwen did with Rembrandt’s painting is what we need
to do with a lot of the classical language of Scripture, the creeds, and
dogma.
Language of metaphor
The language there is more iconic than literal, more the language of metaphor
than of ordinary life, deep image rather than video-taped history. This
doesn’t mean that it isn’t true or that it’s “Alice-in-Wonderland”
mythology. It is deeply true, so true that we hang our very lives on its
truth.
But it is meant to be studied, contemplated, meditated, knelt-before and
prayed-with, rather than taken literally.
Allow me an example: Consider the language and image surrounding the death
of Jesus as paying the price for our sins.
Scripture, our creeds, and our Christian tradition have a certain language
around this. Among other things, we say:
“He paid the price for our sins. We are saved by his blood. He paid
the debt of sin. We are washed clean in his blood, the blood of the lamb.
He is the Lamb of God who takes away our sins. He restored us to life,
after our death in Adam’s sin. He conquered death, once and for
all. By his stripes we were healed. He offered an eternal sacrifice to
God. He is our victim. He opened the gates of heaven. He stripped the
principalities and Satan of their power. He descended into hell.”
Language but not vocabulary
Accepting the truth of this language is one thing, explaining in within
the categories and language of ordinary life is something else. About
Jesus’ death, we have a language, but we don’t have a vocabulary.
We know its meaning, but we can never adequately explain it.
What exactly do we mean by these statements? How does Jesus’ death
save me from being accountable for my sins? How does his death vicariously
substitute for human shortcoming, including our own, through the centuries?
Why does God need someone to suffer that agonizingly in order to forgive
me? How does Jesus’ death open the gates of heaven? Why had they
been closed? What does it mean that, in his death, Jesus descended into
hell?
Literal explanations come up short here. The words are more like an icon,
an artifact that highlights form to bring out essence.
The language of Scripture, the creeds, and our dogmas put us in touch
with something that we can know but struggle to conceptualize and explain.
It is meant to be grasped at levels beyond just the intellect. It is a
language to be contemplated and knelt-before more than a language to be
understood literally.
Some years ago, Time magazine did a cover story on the death of Jesus.
Among other things, they interviewed various people and asked them how
they understood the blood of Jesus as washing them clean.
Deep personal search
One of those interviewed was JoAnne Terrell, the author of “Power
in the Blood? The Cross in the African American Experience.” For
her, the question of how Jesus’ blood saves us triggered a deep
personal search.
Sitting in a seminary classroom and studying the death of Jesus, she began
having flashbacks: As a young girl she had seen her mother murdered by
a boyfriend. She vividly recalled the blood-soaked mattress and her mother’s
bloody fingerprints on the wall. And so her search was very much a search
“to find the connection between my mom’s story and my story
and Jesus’ story.”
For her, the language around the death of Jesus, its blood and heartbreak,
became an icon to be contemplated for meaning. Like Henri Nouwen, she
began moving her chair around to look at it from various angles and to
see how it spoke to her in her life-situation, to the blood in her own
history. The language of redemptive blood gave meaning and dignity to
her mother’s blood.
We cheat ourselves of meaning whenever we treat Scripture, the creeds,
and the dogmas of our faith as simple statements of history, newspaper
accounts in literal language.
They have a historicity and they are true, but the language surrounding
them is not the language of the daily newspaper. They are anchored in
history and we risk our very lives on their truth, but they speak to us
more as does an icon than as does yesterday’s newspaper.
Their language is meant to be contemplated, knelt-before, and absorbed
in the heart as we experience more and more of life’s mysteries.
An atheist, someone once quipped, is just another name for someone who
doesn’t grasp metaphor.
(Oblate Father Ron Rolheiser, theologian, teacher, and award-winning
author, is president of the Oblate School of Theology in San Antonio,
TX. He can be contacted through his website www.ronrolheiser.com.)
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Some images of God stifle spiritual growth,
foster alienation
By Sharon Abercrombie
Staff writer
One night when Joan Chittister was 13 years old, she
had “an experience of intense light” inside her parish church.
“I was early for a Girl Scout meeting, so I went upstairs to make
a visit. It was dark in the sanctuary. Suddenly, there was this light.
I’m still not sure where it came from — it could have been
the janitor working late.”
But young Joan intuited something far less prosaic, something more profound
about “this startling illumination”—she took it as the
presence of God.
The experience became the driving force in her life, leading Joan Chittister
to the convent door three years later, seeing her through a long bout
with polio, and becoming the inspiration over the next few decades in
the writing of 42 books on spirituality.
A mysterious light
This mysterious light stayed with her during her roles as prioress of
the Benedictine Sisters of Erie, PA, as president of the Leadership Conference
of Women Religious, as co-chair of the Global Peace Initiative of Women
Religious and Spiritual Leaders and the Tikkun Community’s Network
of Spiritual Progressives, and as the founder and current executive director
of Benetvision, a website resource for contemporary spirituality.
“I never told anyone about following this light until now,”
Sister Chittister confessed during her keynote address July 16 at Sophia
Center’s Summer Institute at Holy Names University in Oakland.
“But once you see this light, you can never take blindness as a
personal luxury again.”
Using this summer’s conference theme, “The Cosmology of Convergence:
Towards a More Mutually Enhancing World” for her address, Sister
Chittister spoke of the need to leave behind images of God that do not
look to the light, but instead stifle spiritual growth and foster alienation,
loneliness, violence and narrow-mindedness.
“Without a mature spin, a new look at our image of God, we cannot
change this culture,” she warned. To build a better world means
looking for God in unexpected places.
“We have to look beyond the formulas and see what fits, seeing God
in the light, rather than through an image packaged inside a theological
test tube.” The heart of this Divine image problem, she observed,
seems to be that after God created us, we proceeded to create God in our
own images.
“Some of our human projections onto the creator include the God
of Wrath who turns his back on us. So then we become indifferent, turning
our backs to the world as well.” The consequences? In our aloneness,
“we shrivel up and die.”
Vending Machine God
Other images include the Vending Machine God, “who makes traffic
lights green and turns off the rain at our picnics.” The God of
Laws image causes some people to become sterner, demanding that everyone
follow rules that they can’t keep themselves. “We’ve
seen some of them on TV,” she said.
The Will of God image “is our own inability to stop evil and injustice,”
said Sister Chittister. These ills become God’s will instead of
our own inability to react out of love and compassion to others, or to
change the social structures keeping them tied to poverty, sexism and
racism, she said.
The Mighty Male God
Religion has also favored the Mighty Male God, who consigns women to subservience,
and never calls God “Mother.” It has also enshrined “God
as judge, blocking all the good in us, consigning life to boxes of sin,
rites and rules, which become more important than helpless people.”
Admitting that she has struggled with all of these images in her own life,
Sister Chittister said they did nothing to deepen her spirituality, acknowledging
that “fear of wrath did not seduce me to love.”
What did lure her to love were those images of God favored by the Jewish
mystics and Jesuit paleontologist Teilhard De Chardin, who viewed everything
in creation as sparks of God.
Another insight came from English mystic Julian of Norwich who “broke
open the boundaries to see God as a nurturing mother, as the air I breathe,
and the womb in which I am loved. This is the God who wishes us good and
not grief,” and who inspires us to minister to others.
During an interview with The Voice, Sister Chittister said a further insight
came when she finally comprehended the story of the Tower of Babel in
the Hebrew Scriptures.
“I hadn’t been able to understand a God who could confuse
people’s tongues so they couldn’t complete their prayers together.
But later it made sense. God doesn’t want us to speak in one language.
Instead God wants us to learn to listen to one another carefully for the
revelations that come out of every religion.”
‘Opened my soul like a flower’
That understanding “opened my soul like a flower. I began to see
God working everywhere.” So now, Sister Chittister said she receives
joy from “throwing flowers with the Hindus, bending to the ground
in Muslim prayer, chanting with the Buddhists, and singing my heart out
with the rest of Christianity.”
One of Sister Chittister’s recent books is “The Tent of Abraham,”
which she co-authored with Sufi scholar Neil Douglas-Klotz and Jewish
Rabbi Abraham Waskow. Each tells the story of Abraham from his or her
own spiritual tradition.
The Sophia Center is a graduate program of Holy Names University, offering
master, certificate and sabbatical programs in culture and spirituality.
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